Arts

All Items

• STYLE AS IDIOLECT IN EHIKHAMENOR’S “IGODOMIGODO MUST NOT COMATOSE”

  Jackson Archibong Etuk, Umoh, Otobong Archibong

  365-382

• STYLISTIC ANALYSIS OF CHIMAMANDA ADICHIE'S DEAR IJEAWELE

  Waliyah Adenike Akeju-Ahmad , Sira Iyanda Shobowale

  335-357

• STYLOMETRIC ANALYSIS OF MAIK ORTSERGA’S ‘SEASON OF RAIN’

  Terfa Aor, Moses Tsevenda

  272-295

• TEACHER EDUCATION AND PROFESSIONAL DEVELOPMENT IN ENGLISH LANGUAGE TEACHING AND LEARNING THROUGH INFORMATION AND COMMUNICATION TECHNOLOGY

  Halima Tosin Oladimeji

  474-490

• TEACHER QUALIFICATION AS A DETERMINANT OF STUDENTS’ ACADEMIC ACHIEVEMENT IN O LEVEL ENGLISH IN OYO METROPOLIS

  Richard Ayobayowa Foyewa

  190=203

• TEACHING AFRICAN ORAL LITERATURE IN TECHNOLOGY DRIVEN AGE: IMPORTANCE, TEACHERS ROLE AND CHALLENGES IN NIGERIA.

  Stella Adebimpe Okueso

  358-375

• THE ABSENCE OF HYGIENE IN CHRISTIAN WORSHIP: A STUDY OF EZEH’S YOUR CHURCH, MY SHRINE

  Rebecca Kenseh Daniel Ira, Alexander Ahmadu Abishag

  214-232

• THE CULTURE CLASH AND THE SCARE: A MULTIMODAL STUDY OF COGNITIONS IN SELECTED COVID-19 PROPAGANDA

  Toyin Makinde, Toluwanimi Makinde

  371-385

• THE DISCURSIVE PRODUCTIONS OF IDENTITIES IN TOMBOLA NIGHT INTERACTIONS IN THE NIGERIAN ARMY

  Toyin Ogundele, Joseph Olusola Amusan

  46-73

• THE EFFECTS OF HAUSA-FULANI ENGLISH ACCENT ON BUSINESS COMMUNICATION IN KANO METROPOLIS

  Sunday Okakwu Ape

  132-148

• THE INTERDISCIPLINARY IMPACT OF LINGUISTIC STUDIES ON VARIOUS FIELDS OF HUMAN ENDEAVOUR

  Sagir Yunusa

  224-238

• THE IRONY OF COVID-19 OUTBREAK IN NIGERIA: A SPEECH ACT ANALYSIS

  Monday Ayegba, Chinwe Nwaudu Udechukwu, Daniel Abuh

  174-191

• THE MULTIMODALITY OF SELECTED CAMPAIGN POSTERS OF ATIKU ABUBAKAR IN 2023 PRESIDENTIAL ELECTION IN NIGERIA

  Daniel Abuh, Martina Mamenoka Awodi

  163-179

• THE MULTIPLICITY OF ELEMENTS IN JUKUN

  Jones Alli Apaji

  68-102

• THE OMNIFICENCE OF CONTEXT IN LINGUISTICS AND LITERATURE

  Usman Muhammed Bello, Grace Ojonide Onoja

  106-124

• THE PORTRAITURE OF MODERN AND TRADITIONAL WOMAN IN AYI KWEI ARMAH’S THE BEAUTYFUL ONES ARE NOT YET BORN, FRAGMENT AND TWO THOUSAND SEASONS

  Okachukwu Onuah Wosu

  138-153

• THE RESUMPTIVE PRONOUN IN HAUSA: A MINIMALIST APPROACH

  Mohammed Inuwa Musa

  199-211

• THE SIGNIFICANCE OF COMPREHENSION IN SECOND LANGUAGE LEARNING (L2): LISTENING IN FOCUS

  Baraka Muhammad Muhammad, Aminu Saidu

  114-127

• THE SIGNIFICANCE OF SYMBOLS IN TANURE OJAIDE’S DELTA BLUES AND HOME SONGS

  Charles Alex Patrick, Kenneth Efeh

  1-22

• THE STUDY OF ONLINE INTERACTION IN TELEGRAM: A TEXT-BASED MULTIPARTY INTERACTION PLATFORM

  Ahmad Abdullahi Saleh, Adamu Usman

  44-64

• THE USE OF LANGUAGE TO INSTIGATE CHANGE THROUGH SOCIAL MEDIA POSTS

  Ruth Nendirmwa Dalyop

  230-250

• THE VICISSITUDES OF DEMOCRACY IN NIGERIA: ROLES OF THE POET

  Nathanael Tanko Noah, Makvreng Gudor Kumbe

  283-295

• THE WOMAN SABOTAGE IN SKY-HIGH FLAMES BY UNOMA AZUAH AND THE SECRET LIVES OF BABA SEGI’S WIVES BY LOLA SHONEYIN

  Rhoda Mbateren AORABEE

  125-145

• THE WRITER AS A PROPHETIC INTERVENTIONIST: THE CHINYELU OJUKWU’S AND SUNDAY ABRAYE’S EXAMPLES

  Charles Cliff Feghabo

  90-105

• TIV ORAL POETRY AND THE ENVIRONMENT: AN ECOCRITICAL STUDY OF SELECTED TIV BUSH BURNING SONGS

  Aondofa Bam

  358-370